The work delves into a journey of understanding femininity and the agency it entails. This exploration occurs within the context of both physical and absence of the body, whilst employing the narrative framework of classical Indian dance, Odissi.  The use of jewellery without its tangible presence serves as commentary on significance and symbolism associated with the 16 adornments 'solah shringar' traditionally worn by married Indian women. These elements in conjunction with others are woven together, culminating in a rhythmic repetition of taals or beats.